A website directory and metasearch engine of Top 20 best websites
Top 20  
Online  
 
 
Add To Favorites Make this your Start Page Top 20 from A-Z
Top 20 R & B
 Listen to Music Now 
 Classical
 Country    Jazz
 Oldies    Top 40
 Easy    NPR
AccuRadio | Radio Tower
AOL |  Windows |  Launch

Top20Listen

META SEARCH:   
Google Yahoo MSN Ask Answers ixquick DMOZ
Wikipedia Alexa Hakia Cuil Clusty About      other
 ImagesGoogle Flickr AV PicSearch BlogsClusty Google
 VideoGoogle YouTube NewsGoogle Y! News Topix
 DirectoriesYahoo Google Wolfram USA.gov Almanac Archive
    City Guide       State Guide Nation Guide
Weekly Diversions
Word Search
Recession Tips
Little Known Body Facts
Fly Eating
Origins of Golf
Archive

Top20Diversions

Apple iTunes
Right Now (Na Na Na) - Single
Akon
Price: $0.99

Year of the Gentleman (Bonus Track Version)
Ne-Yo
Price: $9.99

Year of the Gentleman (Bonus Track Version)
Ne-Yo
Price: $9.99

I'm So Paid (feat. Lil Wayne) - Single
Akon
Price: $0.99

Shine
Estelle
Price: $12.99

Forever - Single
Chris Brown
Price: $0.99

Green Light (feat. Andre 3000) - Single
John Legend
Price: $0.99

Jennifer Hudson (Bonus Track Version)
Jennifer Hudson
Price: $11.99

Right Here (Departed) - Single
Brandy
Price: $0.99

Everybody Knows - Single
John Legend
Price: $0.99

Left CornerTop 20Right Corner
WindowsMedia Choice iTunes  
Shoutcast LoudCity    
AOL Radio Audiogemz    
AllDANZ Jazz/Fusion    
202online AOL Videos    

Top 20 Directory:
Top : Arts : Music : Styles : R : Rhythm_and_Blues
  • Carolina Beach
  • Funk
  • Motown@
  • Northern Soul@
  • Soul@

  • Bands and Artists
  • Concerts and Events@
  • Radio
  • Shopping@

    See Also:

    Sites:
  • Classic Soul Music: Primarily but not limited to the soulful sounds of the 1950's, 1960's and 1970's. This is the time frame of the American Civil Rights movement and the impacts of the massive changes going on are reflected in the music and the culture
  • E-Jams: An interactive music survey with contests, chat rooms, trivia, music charts, bulletin boards, merchandise, links and music information.
  • East Coast Groove: Article about the 70's east coast bands.
  • MusicAustin: Spotlight on Austin Music: Music clips and information about the R&B artists from the Austin, Texas area.
  • Neo Soul Masters: Profiles, discographies, lyrics, and photographs of Chico Debarge, Erykah Badu, Jill Scott, D'Angelo, and Maxwell.
  • R&B Krazy: R&B, soul, and hip hop Real Audio and links to artists, lyrics, record labels, clubs, and radio stations.
  • Rhythm & Blues Foundation: Fostering wider recognition, financial support, and historic and cultural preservation of R&B music and artists of the 1940's, 1950's, and 1960's. Pioneer Awards, radio series, message board, merchandise, and links.
  • Rhythm and Blues Music Primer: Dedicated to blues and authentic soul. Includes biographies, editorials, label histories, R&B quizzes, and discussion forums.
  • RnB and Hip Hop World: Includes pictures, news, reviews, and artist links. [Flash required]
  • Showtime At The Regal Theater: The Regal Theater provided some of the greatest black live entertainment in Chicago. Site details pictures and history.
  • Soul Search: Tribute to R&B of the 50's, 60's and 70's. Links to many artist sites.
  • Soul Walking: Toby Walker's guide to soul music, including over a thousand biographies of artists.
  • Soulgalore: Audio samples, articles, chat, soundcards, discussion forum, and shopping links.
  • Stax Museum of American Soul Music: Official site features history, music, merchandise, and news on the home of the Memphis Sound.
  • SugarHill: Bulletin board system for discussions of R&B, funk, hip hop, soul, and rap. Club photographs and hundreds of audio samples. [English/Japanese]
  • The RnB Theatre: Reviews, charts, trivia, chat, and links.
  • The Soul Review: Understanding soul, history, Northern Soul, recollections, links, and reviews of CDs, books, and films.
  • Top20RandB.com: R&B music guide for artists with downloads, news, reviews, charts, and videos.


     from Wikipedia

    Rhythm and blues

    From Wikipedia, the free encyclopedia

    Jump to: navigation, search
    Rhythm and blues
    Stylistic origins
    Cultural origins
    Typical instruments
    Mainstream popularity Significant from 1940s to 1960s; iconic afterwards
    Derivative forms Contemporary R&B - Reggae - Ska - Rock and roll - Funk
    Subgenres
    Doo wop
    Fusion genres
    Soul music - Rockabilly

    Rhythm and blues (also known as R&B or RnB) is a popular music genre combining jazz, gospel, and blues influences, first performed by African American artists. It is now[citation needed] performed worldwide by people of many cultures and ethnic groups.


    Writer/producer Robert Palmer defined rhythm & blues as "a catchall term referring to any music that was made by and for black Americans".[1] He has used the term R&B as a synonym for jump blues.[2] Lawrence Cohn, author of Nothing but the Blues, writes that rhythm and blues was an umbrella term invented for industry convenience. According to him, the term embraced all black music except classical music and religious music, unless a gospel song sold enough to break into the charts. [3]

    Late 1940s

    In 1948, the term rhythm and blues was coined as a musical marketing term in the United States by Jerry Wexler of Billboard magazine.[4] It replaced the term race music, which originally came from within the black community, but was deemed offensive in the postwar world.[5] In that year, Louis Jordan dominated the top five listings of the R&B charts with three songs, and two of the top five songs were based on the boogie-woogie rhythms that had come to prominence during the 1940s.[6]

    Jordan's band, the Tympany Five (formed in 1938), consisted of him on saxophone and vocals, along with musicians on trumpet, tenor saxophone, piano, bass and drums.[7] Lawrence Cohn described the music as "grittier than his boogie-era jazz-tinged blues".[8] Robert Palmer described it as "urbane, rocking, jazz based music with a heavy, insistent beat".[9] Jordan's cool music, along with that of Big Joe Turner, Roy Brown, Billy Wright, and Wynonie Harris, is now also referred to as jump blues.

    In 1948, RCA Victor was marketing black music under the name Blues and Rhythm. That year found the Wynonie Harris remake of Roy Brown's original 1947 recording "Good Rockin' Tonight" in the #2 spot, following band leader Sonny Thompson's "Long Gone" at #1.[10][11]

    In 1949, the term rhythm and blues replaced the Billboard category Harlem Hit Parade.[3] Also in that year, "The Huckle-Buck", recorded by band leader and saxophonist Paul Williams, was the #1 R&B tune, remaining on top of the charts for nearly the entire year. Written by musician and arranger Andy Gibson, the song was described as a "dirty boogie" because it was risque and raunchy.[12] Paul Williams and His Hucklebuckers' concerts were sweaty riotous affairs that got shut down on more than one occasion. Their lyrics, by Roy Alfred (who later co-wrote the 1955 hit "(The) Rock and Roll Waltz"), were mildly sexually suggestive, and one teenager from Philadelphia said "That Hucklebuck was a very nasty dance."[13][14] Also in 1949, a new version of a 1920s blues song, "Ain't Nobody's Business" was a #4 hit for Jimmy Witherspoon, and Louis Jordan and the Tympany Five once again made the top 5 with "Saturday Night Fish Fry".[15]

    Early to mid 1950s

    Working with African American musicians, Greek American Johnny Otis, who had signed with the Newark, New Jersey-based Savoy Records, produced many R&B hits in 1951, including: "Double Crossing Blues", "Mistrustin' Blues" and "Cupid's Boogie", all of which hit number one that year. Otis scored ten top ten hits that year. Other hits include: "Gee Baby", "Mambo Boogie" and "All Nite Long".[16] The Clovers, a vocal trio who sang a distinctive sounding combination of blues and gospel, had the #5 hit of the year with "Don't You Know I Love You" on Atlantic Records.[17][18][19] Also in July 1951, Cleveland, Ohio DJ Alan Freed started a late-night radio show called "The Moondog Rock Roll House Party" on WJW-AM (850).[20] Freed's show was sponsored by Fred Mintz, whose R&B record store had a primarily African American clientele. Freed began referring to the rhythm and blues music he played as rock and roll.

    Ruth Brown, on the Atlantic Records label, placed hits in the top 5 every year from 1951 through 1954: "Teardrops from My Eyes", "Five, Ten, Fifteen Hours", "(Mama) He Treats Your Daughter Mean" and "What a Dream". Faye Adams‘s "Shake a Hand" made it to #2 in 1952. In 1953, the R&B record-buying public made Willie Mae Thornton's original recording of Leiber and Stoller's Hound Dog the #3 hit that year.[21] That same year The Orioles, a doo-wop group, had the #4 hit of the year with Crying in the Chapel.[22]

    In 1954 The Chords' "Sh-Boom" became the first hit to cross over from the R&B chart to hit the top 10 early in the year. Late in the year, and into 1955, "Hearts of Stone" by The Charms made the top 20.[23]

    Fats Domino made the top 30 of the pop charts in 1952 and 1953, then the top 10 with "Ain't That a Shame".[24] R&B was an upfront use of gospel music conventions in an R&B context. Ray Charles came to national prominence in 1955 with "I Got a Woman". Big Bill Broonzy said of Charles' music: "He's mixing the blues with the spirituals... I know that's wrong."[25] Little Richard was recording jump blues in the style of Billy Wright in the early 1950s, but it was his R&B hit songs the he began recording in 1955 that were key in the transition from R&B to Rock n Roll. It is worth noting that the only original Rock n Roll Hall of Fame inductees to also receive the Rhythm & Blues Hall of Fame Pioneer achievement award were Little Richard, Ray Charles, James Brown and Fats Domino. Bo Diddley followed into the Rock Hall the following year and was subsequently honored by the R&B Foundation's Hall.

    Alan Freed, who had moved to the much larger market of New York City, helped the record become popular with white teenagers. Freed had been given part of the writers' credit by Chess in return for his promotional activities; a common practice at the time.[26] Also at Chess Records in 1955, Bo Diddley's debut record "Bo Diddley"/"I'm A Man" climbed to #2 on the R&B charts and popularized the Bo Diddley beat.

    In 1956 an R&B "Top Stars of '56" tour took place. With headliners Al Hibbler, Frankie Lymon and the Teenagers, and Carl Perkins, whose "Blue Suede Shoes" was very popular with R&B music buyers. Some of the performers completing the bill were Chuck Berry, Cathy Carr, Shirley & Lee, Della Reese, the Cleftones, and the Spaniels with Illinois Jacquet's "Big Rockin' Rhythm Nand. Cities visited by the tour included Columbia, SC, Annapolis, MD, Pittsburgh, PA, Syracuse, Rochester and Buffalo, NY, into Canada, and through the mid Western US ending in Texas. In Columbia the concert ended with a near riot as Perkins began his first song as the closing act. Perkins is quoted as saying, "It was dangerous. Lot of kids got hurt. There was a lot of rioting going on, just crazy, man! The music drove 'em insane." In Annapolis 70,000 to 50,000 people tried to attend a sold out performance with 8,000 seats. Roads were clogged for seven hours.[27]

    Mid to Late 1950s

    Two Elvis Presley records made the R&B top five in 1957: "Jailhouse Rock"/"Treat Me Nice" at #1, and "All Shook Up" at #5, an unprecedented acceptance of a non-African American artist into a music category known for being created by blacks.[28] Nat King Cole, a former jazz pianist who had had #1 and #2 hits on the pop charts in the early 1950s ("Mona Lisa" at #2 in 1950 and "Too Young" at #1 in 1951), had a record in the top 5 in the R&B charts in 1958, "Looking Back"/"Do I Like It".

    In 1959, two black-owned record labels, one of which would become hugely successful, made their debut: Sam Cooke's Sar, and Berry Gordy's Motown Records.[29] Brook Benton was at the top of the R&B charts in 1959 and 1960 with one #1 and two #2 hits. Benton had a certain warmth in his voice that attracted a wide variety of listeners, and his ballads led to comparisons with performers such as Cole, Sinatra and Tony Bennett.[30]

    1960s- Present

    Sam Cooke‘s #5 hit "Chain Gang" is indicative of R&B in 1960, as is Chubby Checker's #5 hit "The Twist".[31][32] By the early 1960s, the music industry category previously known as rhythm and blues was being called soul music, and similar music by white artists was labeled blue eyed soul.[33]

    Motown had its first million-selling single in 1960 with The Miracles' "Shop Around".[34] In 1961, Stax Records had its first hit with Carla Thomas' pop-influenced "Gee Whiz! (Look at His Eyes), which featured violins, piano, drums and backup singers."[35] Its next major hit, the Mar-Keys' instrumental "Last Night", was released the same year. "Last Night" introduced the rawer Memphis soul sound, built around horns, electric organs, guitars, and drums, which became the sound the Stax would be most noted for.[36]

    By the 1970s, the term rhythm and blues was being used as a blanket term to describe soul and funk. In the 2000s, the initialism R&B is almost always used instead of the full rhythm and blues, and mainstream use of the term usually refers to contemporary R&B, which is a modern version of soul and funk-influenced pop music that originated as disco faded from popularity.

    References

    1. ^ Palmer, Robert (1995-kk09-19). Rock & Roll: An Unruly History. Harmony. ISBN 978-0517700501. 
    2. ^ Palmer, Robert [1981-05-21]. Deep Blues: A Musical and Cultural History of the Mississippi Delta. Viking Adult. ISBN 978-0670495115. 
    3. ^ a b Cohn, Lawrence; Aldin,Mary Katherine; Bastin,Bruce [September 1993]. Nothing but the Blues: The Music and the Musicians. Abbeville Press. 
    4. ^ Sacks, Leo (1993--08-29). "The Soul of Jerry Wexler", New York Times. Retrieved on 2007-01-11. 
    5. ^ Cohn, Lawrence; Aldin,Mary Katherine; Bastin,Bruce [September 1993]. Nothing but the Blues: The Music and the Musicians. Abbeville Press, 314. 
    6. ^ "Hot R&B/Hip-Hop Songs 1947", Billboard. Retrieved on 2007-12-23. 
    7. ^ [1] [2]
    8. ^ Cohn, Lawrence; Aldin,Mary Katherine; Bastin,Bruce [September 1993]. Nothing but the Blues: The Music and the Musicians. Abbeville Press, 173. 
    9. ^ Palmer, Robert (1982-07-29). Deep Blues: A Musical and Cultural History of the Mississippi Delta, paperback, Penguin, 146. ISBN 978-0140062236. 
    10. ^ The Vocal Group Harmony Web Site
    11. ^ "Hot R&B/Hip-Hop Songs 1948", Billboard. Retrieved on 2007-12-23. 
    12. ^ Andy Gibson (II) - Biography
    13. ^ Hucklebuck!
    14. ^ Hucklebuck!
    15. ^ Billboard.com - Year End Charts - Year-end Singles - Hot R&B/Hip-Hop Songs
    16. ^ Billboard.com - Biography - Johnny Otis
    17. ^ The Vocal Groups
    18. ^ Billboard.com - Biography - Johnny Otis
    19. ^ Clovers Don't You Know I Love You & Other Favorites CD
    20. ^ Digital Case - Search Results
    21. ^ "Hot R&B/Hip-Hop Songs 1953", Billboard. Retrieved on 2007-12-23. 
    22. ^ "The Orioles Record Label Shots". Retrieved on 2007-12-23.
    23. ^ Go, Cat, Go! by Carl Perkins and David McGee 1996 page 111 Hyperion Press ISBN 0-7868-6073-1
    24. ^ Go, Cat, Go! by Carl Perkins and David McGee 1996 pages 111 Hyperion Press ISBN 0-7868-6073-1
    25. ^ Cohn, Lawrence; Aldin,Mary Katherine; Bastin,Bruce [September 1993]. Nothing but the Blues: The Music and the Musicians. Abbeville Press, 173. 
    26. ^ Billboard.com - Biography - Chuck Berry
    27. ^ Go, Cat, Go! by Carl Perkins and David McGee 1996 pages 188, 210, 212-214 Hyperion Press ISBN 0-7868-6073-1
    28. ^ "Hot R&B/Hip-Hop Songs 1957", Billboard. Retrieved on 2007-12-23. 
    29. ^ Palmer, Robert (1995-09-19). Rock & Roll: An Unruly History. Harmony. ISBN 978-0517700501. 
    30. ^ Simon, Tom. "Brook Benton Biography". Retrieved on 2007-12-23.
    31. ^ "Hot R&B/Hip-Hop Songs 1959", Billboard. Retrieved on 2007-12-23. 
    32. ^ "Hot R&B/Hip-Hop Songs 1960", Billboard. Retrieved on 2007-12-23. 
    33. ^ Palmer, Robert (1995-09-19). Rock & Roll: An Unruly History. Harmony, 82. ISBN 978-0517700501. 
    34. ^ Palmer, Robert (1995-09-19). Rock & Roll: An Unruly History. Harmony, 83,84. ISBN 978-0517700501. 
    35. ^ [3] sample of "Gee Whiz"
    36. ^ sample
    Listed links may put this banner on their website.

    Help build the largest human-edited directory on the web.
    Submit a Site  -  Open Directory Project  -  Become an Editor
    Terms and Conditions
    About Us
    Privacy Policy

    Processing Time: 0.128